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The Audio
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| filter | The DAF-1 is equipped with two identical filters with resonance. The CUT-OFF frequency and resonance can be set separate for each filter. | |
| Mode |
With this switch the mode of the filters can be adjusted. The following modes are possible: BAND
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| LFO |
The DAF-1 is equipped with a LFO with triangle-waveform. The LFO can be varied in frequency (SPEED) and amplitude (INTENS.). The destination can be selected by the MODE-switch: F1
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| C.V. |
On the
rear of the DAF-1 there is a C.V. - jack for connecting
a C.V. - pedal ore any other C.V. source. In the C.V - section
on the front of the device, the mode of the C.V. - jack an be
adjusted. INTENS. - adjusts the
intensity of the C.V. - Pedal The modulation of the C.V. - Pedal is in addition with the LFO-modulation. |
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| Bypass | The DAF-1 has a bypass-switch on the frontplate and a -jack on the rear, for connecting a footswitch. | |
| Eingänge | The DAF-1 is equipped with two Input-jacks (left/right) on the rear and a high-impedance mono jack on the front. | |
| When connecting the two channels of the DAF-1 serial (output channel one --> input channel two), the filter slope equals were redoubled. So i.e. you can get an 96dB lowpass filter. |
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The PH-16
is an real analog stereo-phaser, which produces the whole range
of the classic phaser sounds and extreme effect sounds.
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| Phaser |
The PH-16
has a phase shift circuit which can be used with 4, 6 or 8 stages.
The phase
shift circuits work with optocouplers that where made and hand-selected
by VERMONA. With these optocouplers the PH-16 can work
with high levels and high frequencies. |
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| Mode |
The two phasers within the PH-16 can work in different modes. It can be selected with the MODE-switch. Following settings are possible: paral.
4ST |
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| LFO |
The PH-16 has an integrated LFO with an triangle waveform. It can be adjusted in frequency (SPEED) and amplitude (INTENS.). You can choose four destinations for the LFO-modulation with the DESTINATION switch: P1
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| C.V./E.F. |
In this
section the intensity and the destination of an connected C.V.
source (see C.V. IN/PEDAL), or the intensity and the destination
of the integrated envelope follower can be adjusted. P1
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| C.V.
IN/ PEDAL |
An
arbitrary C.V. source or an pedal can be plugged into a jack
on the rear panel of the PH-16, for controlling the phase
shifts. So the PH-16 can be integrated in other existing equipment (i.e. modular system, synthesizer, ...) or it can be controlled easily in life situations. |
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| Footswitch | It
is possible to connect a double-footswitch for setting the PH-16
bypass (there is also a bypass-switch on the front plate) and
for turning the LFO on and off. |
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| Inputs | On
the rear of the PH-16, there are two 1/4" input jacks
(phaser1/phaser2) and a third, high-impedanced input is on the
frontplate. |
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| The
PH-16 can be used with almost every signal source. If
you want to use the PH-16 directly with an instrument,
like guitar, bass, synthesizer, ... or in an effect loop of an
(DJ-)mixer. If using the unit in the studio or live on stage,...
... you always will get a unforgettable good sound. |
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| what´s new? | -
integrated power supply - on/off - switch - no cross talk between channels - two hi hats/cymbals - individual outs can be used as inserts - blue frontplate |
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| features | -
true analog soundgeneration - 8 separate channels - 72 potentiometers - individual outputs per channel - stereo- and headphone output - Midi - 19", 5u, pultform |
| The channels of the DRM1 MK II | ||
| DRUM 1-3 |
The first three channels of the DRM1 MK II are idendical. These channels generate typical analog kick- and tom sounds and effect-sounds. parameters: Decay, Pitch, Bend (up/down), Attack, FM Int, FM Freq (frequencymodulation-intensity and -speed), Distortion, Pan, Volume) |
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| Multi |
This channel has three oscillators. The pitch of oscillator two and three can be adjusted individually relatively to oscillator one. It can generate typical cowbell sounds, but also woodblock, handle toms, claves, ... parameters: Decay, Pitch, Bend (up/down), Attack, Pitch2, Pitch3, High Pass, Pan, Volume |
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| Snare |
The snare-channel of the DRM1 MK II generates typical, wellknown analog snaresounds up to new soundcreations parameters: Decay Rev, Reverb, Decay N., Noise, Attack, Resonance, Filter, Pan, Volume |
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| Cymbal1/2 |
Cymbal one and two are identical and generate analog cymbal- and/or hihat- sounds (open/closed). The decay-control adjusts the decaytime of the opend hat respectively of the cymbal relatively to the closed hat. Open and closed hat can be triggered individual via MIDI. parameters: Decay, Filter, Bend, Attack, Resonance, Mix, Pitch, Pan, Volume |
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| Clap |
The Clap channel generates typical analog claps. parameters: Decay Rev, Reverb, Clap, Noise, Resonance, Filter, High Pass, Pan, Volume |
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| Trig | Each channel of the DRM1 MK II has its own trigger button. | |
| MIDI | The DRM1 MK II can be triggered with MIDI. MIDI channel and note number can be adjusted freely. | |
| individual outs | Each
channel of the DRM1 MK II has an individual output. When using
a Y-cable the individual outs can be used as effect inserts.
It is also possible, to choose between subtracting the signal from the main outs when using an individual out, or using both outputs. |
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