Richard Howland Ranger
and
Rangertone, Inc.
Chronology
- 1899 -- Richard Howland Ranger is born in Indianapolis, Indiana,
theson of John Hilliard and Emily Anthen Gillet Ranger
- 1912-1916 -- Ranger owns Ranger Co. Printers of Boston
- 1916-1920 -- Service in the U.S. Army Signal Corps, earning
the rankof Major. While there, he worked in France to 1919, and
then served brieflyas head of a laboratory at Fort Monmouth
- 1918 -- Ranger writes a monograph for the military entitled
"ArtilleryLines of Communication"
- 1919-1923 -- Ranger attends MIT, earning a B.S. in electrical
engineering.In 1923 he marries Laura Lewis of Montclair, New
Jersey
- 1923 -- Ranger's work for RCA results in a wireless facsimile
system.The system is dramatically demonstrated with trans-oceanic
transmissionsbetween the U.S. and England, and the U.S. and Hawaii.
- 1923 -- He publishes an obscure book for radio enthusiasts
entitled"The Radio Pathfinder"
- 1920-1930 -- His Signal Corps experience led to a job with
the newly-formedRadio Corporation of America as an engineer
- 1930 -- Ranger forms Rangertone Incorporated on Verona Ave.
in Newark,NJ.
- 1931--Rangertone electronic 32' pitch stop for the lowest
octave ofa large organ pedalboard installed in recital hall of
Skinner Hall of Music,Vassar College. One of only a few Rangertones
actually sold.
- 1932 -- Ranger delivers to National Broadcasting Corporation
a "chimelesschime," a three note synthesizer to replace
the use of actual chimesfor NBS radio's familiar "G-E-C"
musical signature
- 1936 -- Struggling to find salable products, Ranger moves
the companytowards high fidelity phonograph products, developing
a line of improvedrecording styli and recording blanks. These
products were apparently neversold.
- 1932 -- Ranger, in a paper delivered before the National
Associationof Organists, announces his Rangertone electric organ.
The machine used12 small motor-generator sets to generate tones,
plus vacuum tube amplifiersand special filtering circuits to
amplify the signals and drive a loudspeaker.Few are sold
- 1942-1943 -- Returning to the Signal Corps as a Colonel,
he was placedin charge of the Army Air Corps Radio and Radar
Test Labs in Orlando
- 1943-1944 -- He was sent to the Army-Navy Electronics Standards
Agencyat Red Bank.
- 1944-1946 -- In what became a career-changing assignment,
Ranger becamepart of technical investigations in France, England,
and Germany to examineGerman advances in electronics. He wrote
a series of technical reportson electrical components, communications,
television, and (most significantly)magnetic tape recording.
Some time during 1945, in the course of investigating German
electronicstechnologies for the U.S. Army, Richard Ranger came
across the highly advancedmagnetic tape recording devices manufactured
by the German firm AEG. Givenhis interest in music, it is not
surprising that he was fascinated withthese machines.
Removing a few machines from Germany for his personal use,
Ranger returnedto the U.S. and in 1947 announced his new Rangertone
Tape recorder (themachine was probably not actually in production
until mid-1948). The machinewas clearly modelled on the AEG Magnetophone,
particularly in its use ofof Magnetophone recording tape and nearly
exact copies of the AEG recordingand playback heads.
Ranger demonstrated his recorder to potential users of the
machines,including the members of the Institute of Radio Engineers,
the NationalBroadcasting Company, the Radio Corporation of America,
the American Instituteof Electrical Engineers, and individuals
like singer Bing Crosby. His IREdemonstrations won him many admirers,
and sales to local radio stationsconstituted the major customer
for almost two years.
However, the Rangertone corporation was a small operation with
limitedmarketing ability, and soon the similar products offered
by such companiesas Ampex Corporation began to squeeze the Rangertone
out of the radio stationmarket.
Ranger at about this time sought to develop markets in the
motion pictureindustry and invented a clever way to synchronize
a tape recorder to amotion picture film using a low-frequency
electrical signal. The Rangertoneline of portable lip synchronous
recorders sold moderately well after itsintroduction in 1949,
as did a conversion kit to convert an ordinary taperecorder to
synchronous operation. Apparently many of the users were relativelysmall
production companies, often makers of industrial films or televisionseries.
By the early 1960's, Rangertone had eliminated its general-pupose
soundrecorders from the catalog, concentrating instead on specialized
equipmentfor motion picture production. At some point, the company
purchased therights to manufacture a system using 35 mm tape with
sprocket holes, andthis product is still in production.
Ranger died in 1961, and his estate sold the company to a young
employee,George Zazali. Now called Rangertone Research, the company
remains a privately-heldcorporation.
[copyright 1998 by David Morton]