QUASIMIDI

 

 

The virtual reproduction of analogue
synthesizer sounds is no longer a secret.
Many synths of this kind are available now
- but the possibilities are differing a lot.
Everyone who remembers the era of the
original analogue synths knows that the
unique feature of those instruments was not
only the kind of synthesis - it was also the
control possibilities you had.

 

Arpeggiator, Step-by-Step programming and
Drumgrid are only a few of them.

The analogue sequencer has been forgotten
for a while. It had the power of creating
complex and dynamical sequences, which
can not be done with "modern" sequencers in
such an easy way and with instant-access.

 

The POLYMORPH offers you the
MORPHING SEQUENCER, which has
these possibilities combined with a digital
synthesizer for an incredibly low price.
Additionally you have independent
highpass and lowpass filters with resonance
going up to self-oscillation. This allows
more sound control than in conventional
models, which normally offer only one filter
at a time.

 

The third oscillator adds more fatness than
two of them could ever offer! Instead of
complicated modulation routings each
section (Highpass, Lowpass, Oscillator,
VCA) has its own envelope generator.
Even the midi multi-mode is unusual: up to 4
sounds can be produced at once, each part
with its own audio single output and 4
individual effect sections including flanger,
chorus , delay and effect combinations.

 

FEATURES:

 

Polyphony: 8/16-voice

Multitimbral: 4-part Multimode with dynamic voice allocation

Effects: individual effects for each Sound through ADVANCED-DSP-TECHNOLOGY  
(Distortion & Filter, 2 Band EQ, 2 modulation delays with tempo sync)

Play modes: Multitimbral, Stack, Split, Rotate and Layer

Oscillator-Bank: 3 independent Oscillators per Voice, Sync; pitch envelope for oscillators,
Waveforms: Pulswidth-modulation, Sine, Triangle, Sawtooth, Square, Pulse, Noise, complex
Wavetables; additional multi samples for even more sound capabilities.

Filtersection: 12 dB Highpass with Resonance and 24/12 dB Lowpass with Resonance with
individual Envelopes; serial and parallel combination of filters (Bandpass and Notchfilter).
Filter couple for simultanous control of both filter frequencies; filter drive for overdrive sounds.

LFO-Bank: 3 LFO's, each with square, sine, sawtooth rising&falling, random; Midi and
Sequencer/Arpeggiator sync-able

ADSR-Bank: individual envelopes for Highpass, Lowpass, VCA and Oscillators (AR).
modulation intensity reversible

 

Morphing-Sequencer: 4 morphing sequencers with 4 independent lines each (1x Pitch, 3
controller lines free assignable), cycle length independent for each line, realtime transposing,
step-mute, step-hold, midi-note input, external triggering, triggering between the 4 sequencers,
many demonstrations preprogrammed (electronic-drums, psychodelic-tunes, basslines and
many more)

External Inputs: Two independent external inputs offer sound manipulation with all the
POLYMORPH's sound modifiers and effects.

Memory: 128 single sound memories, 64 setup memories containing all 4 used single sounds,
sequencer and effect settings. All in all: 384 sounds. Additional 50 memories for sequencer. All
in all 306 sequence memories.

MIDI: extensive implementation, MIDI-control of all parameters, memory archieving via
MIDI-Dump, Sequencer also usable for external synths in "local off" mode.

Connectors: MIDI-IN, MIDI-OUT, MIDI-THRU, four Audio-Single-Outputs, Expansion
slots for Wavetable-Expansion, Software-Upgrades

Dimensions: 400mm (W) x 225 mmm (D) x 98 mm (H)

Weight: 3 Kg

 

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